Once Removed: Sculpture's Changing Frame of Reference

December 12, 2012 - April 7, 2012

Rachel Harrison, The Spoon Bender, 2011. Wood, polystyrene, cement, acrylic, felt, canvas, steel chair, plastic doll, and eyeglasses. Courtesy of the artist and Greene Naftali Gallery, New York. Photograph: John Berens 

Yale University Art Gallery Exhibition Website

Once Removed  features contemporary artists who have taken divergent approaches to undermining sculpture’s traditional autonomy. The following resources offer additional detail on a few important figures.

Carol Bove

• Bove, Carol. Plants & mammals. New York: Horticultural Society of New York, 2009.
• Bove, Carol, with Janine Lariviere. below your mind: Kunstverein in Hamburg, Kunsthalle Zürich. Frankfurt am Main: Revolver, 2004.

Ree Morton

• Morton, Ree. The mating habits of lines: sketchbooks and notebooks of Ree Morton. Burlington, VT: Robert Hull Fleming Museum, University of Vermont, 2000.
• Ree Morton, retrospective 1971-1977. Curated by Alan Schwartzman and Kathleen Thomas. New York: New Museum, 1980.

Allen Ruppersberg

• Ruppersberg, Allen. 23, 24 & 25 pieces. Chatou, France: CNEAI; Geneva: JRP éditions, 2000.
• Ruppersberg, Allen, with contributions by Ulrike Groos ... [et al.]. Allen Ruppersberg: one of many origins and variants. Düsseldorf: Kunsthalle Düsseldorf; Köln: W. König, 2006.