William Blake: Illuminated Books

• Behrendt, Stephen C. “‘This Accursed Family’: Blake’s America and the American Revolution.” Eighteenth Century: Theory and Interpretation 27 (1986): 26-51.

• Dörrbecker, D. W., ed. William Blake: The Continental Prophecies. Blake’s Illuminated Books, vol. 4. London: Tate Gallery Publications, for the William Blake Trust, 1995.

• Doskow, Minna. “William Blake’s America: The Story of a Revolution Betrayed.” Blake Studies  8 (1979): 167-8

• Erdman, David V. “America: New Expanses.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton, NJ: Princeton University Press, 1970. 92-114.

• Erdman, David V. “William Blake’s Debt to Joel Barlow.” American Literature  26 (1954): 94-98.

• Essick, Robert N. “The Resurrection of America Copy R.” Blake/An Illustrated Quarterly  21 (1988): 138-42.

• Ferber, Michael. “Blake’s America and the Birth of Revolution.” History and Myth: Essays on English Romantic Literature. Ed. Stephen C. Behrendt. Detroit, MI: Wayne State University Press, 1990. 73-99.

• Ferber, Michael “Mars and the Planets Three in America.” Blake/An Illustrated Quarterly  15 (1981-82): 136-37.

• James, David E. “Angels out of the Sun: Art, Religion and Politics in Blake’s America.” Studies in Romanticism  18 (1979): 235-52.

• Lange, Thomas V. “Two Forged Plates in America Copy B.” Blake/An Illustrated Quarterly  16 (1983): 212-18.

• Phillips, Michael. “The Printing of Blake’s” America a Prophecy. Print Quarterly . 11 (March 2004): 18-38.

• Rajan, Tilottama. “(Dis)figuring the System: Vision, History, and Trauma in Blake’s Lambeth Books.” Huntington Library Quarterly  58 (1995): 383-411.

• Richey, William. “‘The Lion & Wolf shall cease’: Blake’s America as a Critique of Counter-Revolutionary Violence.” Blake, Politics, and History. Ed. Jackie DiSalvo, G. A. Rosso, and Christopher Z. Hobson. New York: Garland, 1998. 196-211.

• Schleifer, Ronald. “Simile, Metaphor, and Vision: Blake’s Narration of Prophecy in America.” Studies in English Literature  19 (1979): 569-88.

• Stevenson, W. H. “The Shaping of Blake’s America.” Modern Language Review  55 (1960): 497-503.

• Stevenson, Warren. “The Image of Canada in Blake’s America a Prophecy.” Blake/An Illustrated Quarterly  27 (1993-94): 72-74.

• Viscomi, Joseph. “Facsimile or Forgery? An Examination of America, Plates 4 and 9, Copy B.” Blake/An Illustrated Quarterly  16 (1983): 219-23.

• Viscomi, Joseph. “Two Fake Blakes Revisited; One Dew-Smith Recovered”. Blake in Our Time. Ed. Karen Mulhallen. Toronto: University of Toronto Press, 2010. 35-78.

• Welch, Dennis M. “America and Atlantis: Blake’s Ambivalent Millenialism.” Blake Newsletter  6 (1972-73): 50.

• Wright, Julia M. “‘And None Shall Gather the Leaves’: Unbinding the Voice in Blake’s America and Europe.” European Romantic Review  7 (1996): 61-84.

• Wright, Julia M. “‘Empire is no More’: Odin and Orc in America.” Blake/An Illustrated Quarterly  26 (1992): 26-29.

• Bentley, G. E., Jr. “From Sketch to Text in Blake: The Case of The Book of Thel.” Blake/An Illustrated Quarterly  19 (1986): 128-41.

• Bruder, Helen. “The Sins of the Fathers: Patriarchal Criticism and The Book of Thel.” Historicizing Blake. Ed. Steve Clark and David Worrall. Basingstoke: Macmillan Press, and New York: St. Martin’s Press, 1994. 147-58.

• Den Otter, A. G. “The Question and The Book of Thel.” Studies in Romanticism  30 (1991): 633-55.

• Eaves, Morris, Robert N. Essick, and Joseph Viscomi, eds. William Blake: The Early Illuminated Books. Blake’s Illuminated Books, vol. 3. London: Tate Gallery Publications, for the William Blake Trust, 1993.

• Ferber, Michael. “Blake’s Thel and the Bride of Christ.” Blake Studies  9 (1980): 45-56.

• Freed, Eugenie R. “‘Sun-Clad Chastity’ and Blake’s ‘Maiden Queens’: Comus, Thel, and ‘The Angel.’” Blake/An Illustrated Quarterly  25 (1991-92): 104-16.

• Heppner, Christopher. “‘A Desire of Being’: Identity and The Book of Thel.” Colby Library Quarterly  13 (1977): 79-98.

• Hollis, Helen. “Seeing Thel as Serpent.” Blake/An Illustrated Quarterly  30 (1996-97): 87-90.

• Hutchings, Kevin D. Imagining Nature: Blake’s Environmental Poetics. Montreal: McGill-Queen’s University Press, 2002. 76-113.

• Luczynska-Holdys, Malgorzata. “"Life Exhal'd In Milky Fondness" Becoming A Mother in William Blake’s The Book of Thel.” Blake/An Illustrated Quarterly  46.4 (Spring 2013).

• McCollister, Deborah. “The Seduction of Self-Abnegation in The Book of Thel.” Blake/An Illustrated Quarterly  30 (1996-97): 90-94.

• Mellor, Anne K. “Blake’s Portrayal of Women.” Blake/An Illustrated Quarterly  16 (1982-83): 148-55.

• Murray, E. B. “Thel, Thelyphthora, and the Daughters of Albion.” Studies in Romanticism  20 (1981): 275-97.

• Norvig, Gerda S. “Female Subjectivity and the Desire of Reading In(to) Blake’s Book of Thel.” Studies in Romanticism  34 (1995): 255-71.

• Ostriker, Alicia. “Desire Gratified and Ungratified: William Blake and Sexuality.” Blake/An Illustrated Quarterly  16 (1982-83): 156-65.

• Pearce, Donald R. “Natural Religion and the Plight of Thel.” Blake Studies  8 (1978): 23-35.

• Behrendt, Stephen C. “Europe 6: Plundering the Treasury.” Blake/An Illustrated Quarterly  2 (1987-88): 85-94.

• Dörrbecker, D. W., ed. William Blake: The Continental Prophecies. Blake’s Illuminated Books, vol. 4. London: Tate Gallery Publications, for the William Blake Trust, 1995.

• Ferber, Michael. “The Finite Revolutions of Europe.” Blake, Politics, and History. Ed. Jackie DiSalvo, G. A. Rosso, and Christopher Z. Hobson. New York: Garland, 1998. 212-34.

• Keynes, Geoffrey, ed. William Blake: “Europe: A Prophecy.” London: Trianon Press, for the William Blake Trust, 1969.

• Kowle, Carol P. “Plate iii and the Meaning of Europe.” Blake Studies  8 (1978): 89-99.

• Lincoln, Andrew W. J. “Alluring the Heart to Virtue: Blake’s Europe.” Studies in Romanticism  38 (1999): 622-39.

• Okada, Kazuya. “Orc under a Veil Revealed: Family Relationships and their Symbols in Europe and The Book of Urizen.” Blake/An Illustrated Quarterly  34 (2000): 36-45.

• Otto, Peter. “Re-Framing the Moment of Creation: Blake’s Re-Visions of the Frontispiece and Title Page to Europe.” Blake, Politics, and History. Ed. Jackie DiSalvo, G. A. Rosso, and Christopher Z. Hobson. New York: Garland, 1998. 235-46.

• Paley, Morton D. “Europe iii: 18.” Blake Newsletter  1.3 (1967): 16, 18.

• Quasha, George. “Orc as a Fiery Paradigm of Poetic Torsion.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton, NJ: Princeton University Press, 1970. 263-84.

• Squibbs, Richard J. “Preventing the Star-Led Wizards: Blake’s Europe and Popular Astrology.” Prophetic Character: Essays on William Blake in Honor of John E. Grant. Ed. Alexander S. Gourlay. West Cornwall, CT: Locust Hill Press, 2002. 351-85.

• Tolley, Michael J. “Europe: ‘to those ychain’d in sleep.’” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton, NJ: Princeton University Press, 1970. 115-45.

• Wright, Julia M. “‘And None Shall Gather the Leaves’: Unbinding the Voice in Blake’s America and Europe.” European Romantic Review  7 (1996): 61-84.

• Bentley, G. E., Jr. “The Shadow of Los: Embossing in Blake’s Book of Urizen.” Art Bulletin of Victoria  30 (1989): 18-23.

• Curtis, F. B. “The Geddes Bible and the Tent of the Eternals in The Book of Urizen.” Blake Newsletter  6 (1973): 93-94.

• Easson, Kay Parkhurst, and Roger R. Easson, eds. The Book of Urizen. London: Thames and Hudson, 1979.

• Eaves, Morris. “The Title-page of The Book of Urizen.” William Blake: Essays in Honour of Sir Geoffrey Keynes. Ed. Morton D. Paley and Michael Phillips. Oxford: Clarendon Press, 1973. 225-30.

• Essick, Robert N. “Variation, Accident, and Intention in Blake’s Book of Urizen.” Studies in Bibliography  39 (1986): 230-35.

• Esterhammer, Angela. “Calling into Existence: The Book of Urizen.” Blake in the Nineties. Ed. Steve Clark and David Worrall. Basingstoke: Macmillan Press, and New York: St. Martin’s Press, 1999. 114-32.

• Fairbanks, A. Harris. “Blake, Burke, and the Clanrickard Monument.” Blake/An Illustrated Quarterly  31 (1997-98): 76-81.

• Keynes, Geoffrey, ed. The Book of Urizen. London: Trianon Press, for the William Blake Trust, 1958.

• Kittel, Harald A. “The Book of Urizen and An Essay Concerning Human Understanding.” Interpreting Blake. Ed. Michael Phillips. Cambridge: Cambridge University Press, 1978. 111-44.

• Kozlowski, Lisa. “Resonating Resins: ‘Listning to the voices of the ground’ in William Blake’s Book of Urizen.” Huntington Library Quarterly 64 (2001): 411-27.

• Mann, Paul. “The Book of Urizen and the Horizon of the Book.” Unnam’d Forms: Blake and Textuality. Ed. Nelson Hilton and Thomas A. Vogler. Berkeley: University of California Press, 1986. 49-68.

• Marks, Mollyanne. “Structure and Irony in Blake’s The Book of Urizen.” Studies in English Literature  15 (1975): 579-90.

• McGann, Jerome J. “The Idea of an Indeterminate Text: Blake’s Bible of Hell and Dr. Alexander Geddes.” Studies in Romanticism  25 (1986): 303-24.

• Mitchell, W. J. T. “Poetic and Pictorial Imagination in Blake’s The Book of Urizen.” The Visionary Hand: Essays for the Study of William Blake’s Art and Aesthetics. Ed. Robert N. Essick. Los Angeles, CA: Hennessey & Ingalls, 1973. 337-80.

• Okada, Kazuya. “Orc under a Veil Revealed: Family Relationships and their Symbols in Europe and The Book of Urizen.” Blake/An Illustrated Quarterly  34 (2000): 36-45.

• Otto, Peter. “Time, Eternity and the Fall in The Book of Urizen.” Philological Quarterly  69 (1990): 359-76.

• Simmons, Robert E. “Urizen: The Symmetry of Fear.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton, NJ: Princeton University Press, 1970. 146-73.

• Sutherland, John. “Blake and Urizen.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton, NJ: Princeton University Press, 1970. 244-62.

• Tannenbaum, Leslie. “Blake’s Art of Crypsis: The Book of Urizen and Genesis.” Blake Studies  5 (1972): 141-44.

• Worrall, David, ed. William Blake: The Urizen Books. Blake’s Illuminated Books, vol. 6. London: Tate Gallery Publications, for the William Blake Trust, 1995.

• Behrendt, Stephen C. “A Possible Corollary Source for The Gates of Paradise 10.” Blake/An Illustrated Quarterly  28 (1994-95): 92-94.

• Keynes, Geoffrey, ed. The Gates of Paradise: For Children, For the Sexes. London: Trianon Press, 1968.

• Kmetz, Gail. “A Reading of Blake’s The Gates of Paradise.” Blake Studies  3 (1971): 171-85.

• Parisi, Frank M. “‘Emblems of Morality’: For Children: The Gates of Paradise.” Interpreting Blake. Ed. Michael Phillips. Cambridge: Cambridge University Press, 1978. 70-110.

• Salemi, Joseph S. “Emblematic Tradition in Blake’s The Gates of Paradise.” Blake/An Illustrated Quarterly  15 (1982): 108-24.

• Adams, Hazard. “Blake, Jerusalem, and Symbolic Form.” Blake Studies  7 (1975): 143-66.

• Adams, Hazard. “Jerusalem’s Didactic and Mimetic-Narrative Experiment.” Studies in Romanticism  32 (1993): 627-54.

• Curran, Stuart. “Blake and the Gnostic Hyle: A Double Negative.” Blake Studies  4 (1972): 117-33.

• Deen, Leonard W. Conversing in Paradise: Poetic Genius and Identity-as-Community in Blake’s Los. Columbia: University of Missouri Press, 1983.

• De Luca, Vincent Arthur. “The Changing Order of Plates in Jerusalem, Chapter II.” Blake/An Illustrated Quarterly  16 (1983): 192-205.

• Erdman, David V. “The Suppressed and Altered Passages in Blake’s Jerusalem.” Studies in Bibliography  17 (1964): 1-54.

• Essick, Robert N. “Jerusalem and Blake’s Final Works.” The Cambridge Companion to William Blake. Ed. Morris Eaves. Cambridge: Cambridge University Press, 2003. 251-71.

• Essick, Robert N. “William Blake’s ‘Female Will’ and Its Biographical Context.” Studies in English Literature  31 (1991): 615-30.

• Freed, Eugenie R. “‘In the Darkness of Philisthea’: The Design of Plate 78 of Jerusalem.” Blake/An Illustrated Quarterly  32 (1998-99): 60-73.

• Gleckner, Robert F. “Blake’s Swans.” Blake/An Illustrated Quarterly  15 (1981-82): 164-69.

• Harper, George Mills. “The Divine Tetrad in Blake’s Jerusalem.” William Blake: Essays for S. Foster Damon. Ed. Alvin H. Rosenfeld. Providence, RI: Brown University Press, 1969. 235-55.

• Jones, John H. “‘Self-Annihilation’ and Dialogue in Blake’s Creative Process: Urizen, Milton, Jerusalem.” Modern Language Studies  24 (1994): 3-10.

• Kaplan, Marc. “Jerusalem and the Origins of Patriarchy.” Blake/An Illustrated Quarterly  30 (1996-97): 68-82.

• Keynes, Geoffrey, ed. Jerusalem: The Emanation of the Giant Albion. London: Trianon Press, for the William Blake Trust, 1974.

• Lesnick, Henry. “Narrative Structure and the Antithetical Vision of Jerusalem.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton, NJ: Princeton University Press, 1970. 391-412.

• Mazzeo, Tilar Jenon. “Verbal Echoes of Cumberland’s Thoughts on Outline, Sculpture, and the System that Guided the Ancients (1796) inJerusalem.” Blake/An Illustrated Quarterly  35 (2001): 24-26.

• O’Keefe, Vincent. “Debunking the Romantic Ideology: A Re-View of Blake’s Jerusalem.” European Romantic Review  7 (1996): 40-48.

• Ott, Judith. “The Bird-Man of William Blake’s Jerusalem.” Blake Newsletter  10 (1976): 48-51.

• Ott, Judith. “Iris and Morpheus: Investigating Visual Sources for Jerusalem 14.” Blake/An Illustrated Quarterly  17 (1984): 149-54.

• Paley, Morton D. The Continuing City: William Blake’s “Jerusalem.” Oxford: Clarendon Press, 1983.

• Paley, Morton D. “The Figure of the Garment in The Four Zoas, Milton, and Jerusalem.” Blake’s Sublime Allegory: Essays on “The Four Zoas,” “Milton,” “Jerusalem.” Ed. Stuart Curran and Joseph A. Wittreich, Jr. Madison: University of Wisconsin Press, 1973. 119-39.

• Paley, Morton D., ed. William Blake: “Jerusalem: The Emanation of the Giant Albion.” Blake’s Illuminated Books, vol. 1. London: Tate Gallery Publications, for the William Blake Trust, 1991.

• Paley, Morton D. “‘Wonderful Originals’: Blake and Ancient Sculpture.” Blake in His Time. Ed. Robert N. Essick and Donald Pearce. Bloomington: Indiana University Press, 1978. 170-97.

• Persyn, Mary Kelly. “‘No Human Form but Sexual’: Sensibility, Chastity, and Sacrifice in Blake’s Jerusalem.” European Romantic Review  10 (1999): 53-83.

• Sklar, Susanne, M. Blake's "Jerusalem" As Visionary Theatre. Oxford: Oxford University Press, 2011.

• Spector, Sheila A. “A Numerological Analysis of Jerusalem.” Prophetic Character: Essays on William Blake in Honor of John E. Grant. Ed. Alexander S. Gourlay. West Cornwall, CT: Locust Hill Press, 2002. 327-49.

• Todd, Ruthven. “The Identity of ‘Hereford’ in Jerusalem: With Observations on Welsh Matters.” Blake Studies  6 (1975): 139-52.

• Tolley, Michael J. “Jerusalem 12: 25-29--Some Questions Answered.” Blake Newsletter  4 (1970): 3-6.

• Warner, Nicholas O. “Blake’s Moon-Ark Symbolism.” Blake/An Illustrated Quarterly  14 (1980): 44-59.

• Wicksteed, Joseph H. William Blake’s “Jerusalem.” London: Trianon Press, 1954. New York: Beechurst Press, 1955.

• Worrall, David. “Blake’s Derbyshire: A Visionary Locale in Jerusalem.” Blake/An Illustrated Quarterly  11 (1977): 34-35.

• Worrall, David. “Blake’s Jerusalem and the Visionary History of Britain.” Studies in Romanticism  16 (1977): 189-216.

• Yoder, R. Paul. “Not from Troy, but Jerusalem: Blake’s Canon Revision.” Blake/An Illustrated Quarterly  31 (1997): 17-21.

• Yoder, R. Paul. “What Happens When: Narrative and the Changing Sequence of Plates in Blake’s Jerusalem, Chapter 2.” Studies in Romanticism 41 (2002): 259-78.

• Youngquist, Paul. “Reading the Apocalypse: The Narrativity of Blake’s Jerusalem.” Studies in Romanticism  32 (1993): 601-25.

• Bieber, Margarete. “Laocoön”: The Influence of the Group Since Its Rediscovery. Rev. ed. Detroit, MI: Wayne State University Press, 1967.

• Essick, Robert N., and Joseph Viscomi, eds. William Blake: “Milton a Poem” and the Final Illuminated Works. Blake’s Illuminated Books, vol. 5. London: Tate Gallery Publications, for the William Blake Trust, 1993.

• James, David E. “Blake’s Laocoön: A Degree Zero of Literary Production.” PMLA  98 (1983): 226-36.

• Keynes, Geoffrey, ed. William Blake’s “Laocoön.” London: Trianon Press, for the Blake Trust, 1976.

• Paice, Rosamund. “Encyclopaedic Resistance: Blake, Rees’s Cyclopaedia, and the Laocoön Separate Plate.” Blake/An Illustrated Quarterly  37 (2003): 44-62.

• Adams, Hazard. William Blake: A Reading of the Shorter Poems. Seattle: University of Washington Press, 1963.

• Bass, Eben. “Songs of Innocence and of Experience: The Thrust of Design.” Blake’s Visionary Forms Dramatic. Ed. David V. Erdman and John E. Grant. Princeton, NJ: Princeton University Press, 1970. 196-213.

• Bloom, Harold, ed. William Blake’s “Songs of Innocence and of Experience.” New York: Chelsea House, 1987.

• Chayes, Irene H. “Little Girls Lost: Problems of a Romantic Archetype.” Blake: A Collection of Critical Essays. Ed. Northrop Frye. Englewood Cliffs, NJ: Prentice, 1966. 65-78.

• Essick, Robert N. Songs of Innocence and Experience. San Marino, CA: Huntington Library, 2008.

• Fairer, David. “Experience Reading Innocence: Contextualizing Blake’s 'Holy Thursday”. Eighteenth-Century Studies. 35 (2002): 535-62.

• Frosch, Thomas. “The Borderline of Innocence and Experience.” Approaches to Teaching Blake’s “Songs of Innocence and of Experience.” Ed. Robert F. Gleckner and Mark L. Greenberg. New York: Modern Language Association, 1989. 74-79.

• Gardner, Stanley. Blake’s “Innocence” and “Experience” Retraced. London: Athlone Press, 1986.

• Gardner, Stanley. The Tyger, the Lamb, and the Terrible Desart: “Songs of Innocence and of Experience” in its Times and Circumstance Including Facsimiles and Two Copies. London: Cygnus Arts, and Madison and Teaneck, NJ: Fairleigh Dickinson University Press, 1998.

• Gleckner, Robert F. The Piper and the Bard. Detroit, MI: Wayne State University Press, 1959.

• Gleckner, Robert F., and Mark L. Greenberg, eds. Approaches to Teaching Blake’s “Songs of Innocence and of Experience.” New York: Modern Language Association, 1989.

• Glen, Heather. Vision and Disenchantment: Blake’s “Songs” and Wordsworth’s “Lyrical Ballads.” Cambridge: Cambridge University Press, 1983.

• Hilton, Nelson. “What Has Songs to do with Hymns?” Blake in the Nineties. Ed. Steve Clark and David Worrall. Basingstoke: Macmillan Press, and New York: St. Martin’s Press, 1999. 96-113.

• Hilton, Nelson. “William Blake’s Songs of Innocence and of Experience.” A Companion to English Romanticism. Ed. Duncan Wu. Oxford: Blackwell, 1998. 103-12.

• Hirsch, E. D., Jr. Innocence and Experience: An Introduction to Blake. New Haven, CT: Yale University Press, 1964.

• Kennedy, Thomas C. “From Anna Barbauld’s Hymns in Prose to William Blake’s Songs of Innocence and of Experience.” Philological Quarterly 77 (1998): 359-76.

• Keynes, Geoffrey. “‘Blake’s Own’ Copy of Songs of Innocence and of Experience.” The Book Collector  29 (1980): 20-21.

• Leader, Zachary. Reading Blake’s “Songs.” London: Routledge, 1981.

• Lincoln, Andrew, ed. William Blake: “Songs of Innocence and of Experience.” Blake’s Illuminated Books, vol. 2. London: Tate Gallery Publications, for the William Blake Trust, 1991.

• Lindsay, David W. Blake: “Songs of Innocence and of Experience.” London: Humanities Press International, 1989.

• Mee, Jon. “William Blake, Songs of Innocence and of Experience.” A Companion to Literature from Milton to Blake. Ed. David Womersley. Oxford and Malden, MA: Blackwell, 2000. 401-07.

• Phillips, Michael. William Blake: The Creation of the Songs from Manuscript to Illuminated Printing. Princeton, NJ: Princeton University Press, 2000.

• Shrimpton, Nick. “Hell’s Hymnbook: Blake’s Songs of Innocence and of Experience and Their Models.” Literature of the Romantic Period 1750-1850. Ed. R. T. Davies and B. G. Beatty. New York: Barnes & Noble, 1976. 19-35.

• Simpson, Matt. “Blake’s Songs of Innocence and [of] Experience.” Critical Survey  4.1 (1992): 20-27.

• Eaves, Morris, Robert N. Essick, and Joseph Viscomi, eds. William Blake: The Early Illuminated Books. Blake’s Illuminated Books, vol. 3. London: Tate Gallery Publications, for the William Blake Trust, 1993.

• Keynes, Geoffrey, ed. There is No Natural Religion. London: William Blake Trust, 1971.

• Allen, Graham. “Blake’s Visions of the Daughters of Albion.” Approaching Literature: Romantic Writings. Ed. Stephen Bygrave. London: Routledge, 1996. 217-23.

• Baine, Rodney M., and Mary R. Baine. “Bromion’s ‘Jealous Dolphins.’” Blake/An Illustrated Quarterly  14 (1981): 206-07.

• Bindman, David. “Blake’s Vision of Slavery Revisited.” Huntington Library Quarterly  58 (1995): 373-82.

• Bruder, Helen P. William Blake and the Daughters of Albion. Basingstoke: Macmillan Press, and New York: St. Martin’s Press, 1997.

• Chapman, Wes. “Blake, Wollstonecraft, and the Inconsistency of Oothoon.” Blake/An Illustrated Quarterly  30 (1997): 4-17.

• Eaves, Morris, Robert N. Essick, and Joseph Viscomi, eds. William Blake: The Early Illuminated Books. Blake’s Illuminated Books, vol. 3. London: Tate Gallery Publications, for the William Blake Trust, 1993.

• Essick, Robert, N. Visions of the Daughters of Albion. San Marino: Huntington Library, 2002.

• Goslee, Nancy Moore. “Slavery and Sexual Character: Questioning the Master Trope in Blake’s Visions of the Daughters of Albion.” ELH  57 (1990): 101-28.

• Heffernan, James A. W. “Blake’s Oothoon: The Dilemmas of Marginality.” Studies in Romanticism  30 (1991): 3-18.

• Hilton, Nelson. “An Original Story.” Unnam’d Forms: Blake and Textuality. Ed. Nelson Hilton and Thomas A. Vogler. Berkeley: University of California Press, 1986. 69-104.

• Hoerner, Fred. “Prolific Reflections: Blake’s Contortion of Surveillance in Visions of the Daughters of Albion.” Studies in Romanticism  35 (1996): 119-50.

• Hutchings, Kevin. “Pastoral, Ideology, and Nature in William Blake’s Visions of the Daughters of Albion.” ISLE: Interdisciplinary Studies in Literature and Environment  9 (2002): 1-24.

• Linkin, Harriet Kramer. “Revisioning Blake’s Oothoon.” Blake/An Illustrated Quarterly  23 (1990): 184-94.

• Mellor, Anne K. “Blake’s Portrayal of Women.” Blake/An Illustrated Quarterly  16 (1982-83): 148-55.

• Mellor, Anne K. “Sex, Violence, and Slavery: Blake and Wollstonecraft.” Huntington Library Quarterly  58 (1995): 345-70.

• Murray, E. B. “Thel, Thelyphthora, and the Daughters of Albion.” Studies in Romanticism  20 (1981): 275-97.

• Ostriker, Alicia. “Desire Gratified and Ungratified: William Blake and Sexuality.” Blake/An Illustrated Quarterly  16 (1982-83): 156-65.

• Vogler, Thomas A. “‘in vain the Eloquent tongue’: An Un-Reading of VISIONS of the Daughters of Albion.” Critical Paths: Blake and the Argument of Method. Ed. Dan Miller, Mark Bracher, and Donald Ault. Durham, NC: Duke University Press, 1987. 271-309, 359-67.

• Welch, Dennis M.. “Essence, Gender, Race: William Blake’s Visions of the Daughters of Albion. ” Studies in Romanticism  49 (2010): 105-31.

• Wilkie, Brian. Blake’s Thel and Oothoon. Victoria, British Columbia: University of Victoria, 1990.

America a Prophecy (1793)

The Book of Thel (1789)

Europe a Prophecy (1794)

The [First] Book of Urizen (1794)

Gates of Paradise [both For Children and For the Sexes] (1793, 1820)

Jerusalem (1804-1820)

Laocoön (1815)

Songs of Innocence and of Experience (1793)

There is No Natural Religion (1788)

Visions of the Daughters of Albion (1793)